The work speaks. These are the transcripts.

The View was Coldwell Banker's luxury magazine: eight-figure listings, lifestyle features, and an audience that has seen everything. Print for people who own the printing press.

I designed both sides of the book. Property showcases where the typography had to hold its own against $25M architecture: Bird Street's night-lit marvel, the Modern Malibu Masterpiece. And lifestyle editorials like Sublime Surfaces and Superstar Chefs of SoCal, where layout, pacing, and restraint did the selling.

This is the work that taught me a page is a stage. The serif on this site? It learned everything from these spreads.

One theme, Momentum, and a global audience arriving with expectations. I led creative for the 2023 Global Conference end to end: main stage graphics, welcome signage, banner systems, networking installations, social assets, and the badge on every chest.

The identity ran on forward motion. Light trails, charging diagonals, city energy. Multiple departments, dozens of stakeholders, one unbroken visual line.

When the lights came up, every surface in the building was saying the same word.

Social for a national brand is a systems problem wearing a creative costume. Thousands of agents. Fifty markets. One voice.

I designed campaigns across the spectrum: a fair housing series that led with people, market leadership stats localized city by city, and self-serve listing templates that let any agent ship on-brand work without touching a design file.

Flexible enough for an agent in St. Louis. Tight enough that legal never flinched.

For the GSA, I turned dense federal procurement data into color-coded, 508-compliant infographic systems: clarity as a public service, accessibility as a hard requirement, not a checkbox.

And for Gen Blue, Coldwell Banker's flagship conference, I helped shape the venue canvas year after year · signage, social, and environments, including the Phoenix edition, in the city I now call home.